Joe Jackson has been busy lately. After not one, not two, but three tours supporting his very strong 2012 release, Fast Forward, he immediately took his band consisting of bassist Graham Maby, drummer Doug Yowell and guitarist Teddy Kumpel to a studio in Boise, Idaho (the location of last summer’s final show), and quickly recorded an eight-track album called Fool. It too is strong, and at last night’s return to the fabulous Thalia Hall in Pilsen, Chicago, he and his band played five tracks from the album along with a selection of other songs spanning four decades to an enthusiastic sold-out audience.
To commemorate Jackson’s forty years in the industry and to mix things up a bit from his previous tours, the band highlighted tracks from four other albums from four different decades, though two of them were way too predictable: Look Sharp from the 70s, Night and Day from the 80s (those are the predictable ones), Laughter and Lust from the 90s and Rain from the 00s. It’s these latter two along with the six newer tracks (one from Fast Forward) that made the evening interesting, along with a rendition of “Steppin’ Out” that mimicked the original recording to perfection, including a glockenspiel and Jackson’s Boss DR-55 drum machine whose “club beat” was used in the original.
All of the musicians were excellent and given various moments to shine, though Jackson took more solos than I remember from previous concerts, including one from his once-ubiquitous melodica. But it was drummer Doug Yowell’s high energy performance who really sole the show. Animated, forceful and dexterous, Yowell blew me away with the beginning of one of my favorites, “Another World,” when he managed to play the drum beat and accompanying cowbell and timbale beat simultaneously. My drummer son and I turned to each other with mouths agape.
The biggest surprise of the evening was the final track from 1991’s Laughter and Lust, the moody tune of resignation to love, “Drowned,” along with the opening – and closer! – “Alchemy” from Fool. That’s right, Jackson both opened and closed with the same song under dim, red lights. I loved it, if only because it meant that we didn’t have to hear the band end with “Slow Song” again as they had repeatedly since 2000. Adding “I’m the Man,” “Got the Time,” and Steely Dan’s “King of the World” were welcome crowd-pleasers near the evening’s end, and the new song, “Fool,” was among the most exciting songs of the night. Jackson pointed out that it is sometime the fool – or jester – who makes life sane (“If you lose your sense of humor, you’re fucked.”) and the song’s playfulness seemed contagious to the four musicians on stage.
All in all it was a great concert. Jackson continues to use an iPad teleprompter for his lyrics, which is a little odd for songs that he’s been singing for forty years, but hey, if that’s what the guy has to do to keep touring, then I’m all in. I’ve seen Jackson perform eight times now, and this show ranks in the top three for sure. Keep ‘em coming, Joe!